Evita
"Bucks County Playhouse's reimagined Evita, directed by Will Pomerantz, is one of the most creatively staged productions of the Andrew Lloyd Webber/Tim Rice hit to come along in years.”
“Immersive…told in all its sweeping grandness without ever abandoning the setting of the tango bar, grounding the story in its gritty underbelly…”
“Meticulously and thoughtfully staged; every movement serves a purpose…. heartbreaking…”
“A thorough, nuanced, beautifully produced examination of Eva Perón's complex legacy.”
– BroadwayWorld.com
“Shrewdly conceived, marvelously executed, and unceasingly engaging production of Evita…”
“Brimming with artistry, from director Will Pomerantz.”
“Pomerantz’s staging and Marcos Santana’s choreography give Bucks County Playhouse’s Evita a visceral core that makes the story immediate and compelling.”
“Scenes that were always designed as individual set pieces blend better than they have in the 40 previous times I’ve seen Evita (including the original London production with Elaine Paige in 1979). Pomerantz has shown not only why this show is a perennial favorite but that it is a wittily delicious work of art…”
“Pomerantz gives Evita a flavor I haven’t seen in previous renditions. He is not afraid to show Eva Peron in all of her guises, from conniving manipulator to a poised royal presence, and finds the fun and the nasty historic truth in the Eva’s story…”
“This is admirable work, creative to the point of brilliance…vibrant, immediate.. something to treasure.”
– Princetoninfo.com
“A dazzling and memorable interpretation of the classic Andrew Lloyd-Webber and Tim Rice musical…”
“(An) entrancing new version…adds more tango than typically seen, giving this production a sensuous quality and an authentic feel…”
“Will Pomerantz keeps the action on stage at a driving pace…an absolute stunner…”
– LehighValleyStage.org
“A powerful picture of Argentinian life in the ’40s and ’50s…”
“The multi-level barroom set is put to its fullest use…(becoming) a modern fable of power, ambition, and corruption.”
"(This) reimagined Evita retains all its power and glory."
- OutInJersey.net
“Every so often, a play comes along that makes you realize that what you are witnessing is nothing less than a piece of theatrical history. These are the magical shows that define generations and speak to social constructs that strike at the core of the soul and the nation. Productions like this are few and far between, and, though rare, are the ones talked about for years to come. Such a show is currently running at Bay Street Theater in Sag Harbor.”
“Sweeping, luxurious and beautifully crafted musical that is, quite frankly, nothing less than stupendous….”
"It is, hands down, quite possibly the best show that has ever been presented on the Bay Street Theater stage.”
“In the hands of Bay Street Theater and director Will Pomerantz, Ragtime is perfection from beginning to end.”
“It’s worth noting that the production values on this show are nothing short of astounding. The small size of the stage and the number of people often on it at any given moment means that every inch of the set must function efficiently and do double or sometimes triple duty…there is no shortage of imagination, talent and creativity at work in this show.”
“Then there are the actors. All of them do an amazing job, but particularly noteworthy is Derrick Davis, a compelling actor with a powerful singing voice, whose performance as Coalhouse is countered by the emotive Kyrie Courter who brings depth, passion and incredible presence to the role of Sarah. Also offering a stunning performance as Mother is Lora Lee Gayer.”
“Though it is set more than a century ago, Ragtime is a show for our era. So pull up a seat and take a lesson from Ragtime. You’ll be glad you did.”
– Annette Hinkle, 27 EAST
“Might be the Best Musical Ever at Bay Street Theater”
“Mesmerized the audience, and at the end had them on their feet applauding….spellbinding…a must see.”
“Top level singing, dancing and physical acting….spellbinding.”
“A powerful adaptation by Director Will Pomerantz…”
“Outstanding performances by a cast of 16”
– T.J. Clemente, HAMPTONS.COM
“The fallacy of Ragtime is that you must go big. But can you do this show in a more economical way and have the impact remain the same? If director Will Pomerantz's take on Ragtime at the Bay Street Theatre in Sag Harbor, New York, is any indication, the answer is a resounding Yes.”
“Ranges from "merely wonderful" to "absolutely amazing…”
“The whole cast is entirely terrific as they shapeshift their way through dozens of characters. Together, they have the voices of a company twice this size.”
“Though created on a smaller scale, Pomerantz's production doesn't compromise the integrity of the piece: He removes the gargantuan nature of everything but the emotions…”
– David Gordon, Theatermania
“Bay Street's production of Ragtime is both wildly entertaining and on occasion emotionally rousing. It is so satisfying a show that it is almost puzzling to remember the lukewarm reviews of the 1998 production.”
"Ragtime depicts a hectic age of industrialization, the dawn of movies, an exploding media landscape, and of course musical innovation -- all of which this production brings to life with exuberance and energy.”
“The director, Will Pomerantz, floods the stage with energetic performances that never seem antic or harried, and the audience gets a real sense of a dynamic, vigorous age.”
“Terrific revival…to a person the cast here is smashing…”
“The performance I saw concluded with an extended standing ovation -- testimony to a thoroughly satisfying, crowd-pleasing show, and one of the better musicals performed at Bay Street in recent years.”
– Kurt Wenzel, The Easthampton Star
“This well done and heart rending incarnation is excellently directed by Will Pomerantz.”
“If you've seen a production of this musical, you know how large the cast typically is; around thirty/thirty five people…this production's cast has around half of that. And, they made it just as majestic. Let me tell you it is truly mesmerizing to see all but a couple of people take on multiple roles in this behemoth of a show.”
“A brilliant creative team… boffo choreography… superb lighting design… costumes are simply stunning.”
“And so, Ragtime is without question a must-see this summer season. The Bay Street Theater of Sag Harbor does not disappoint, folks. A stellar cast and gripping story make for a moving night of theater.”
– Melissa Giordano, BroadwayWorld.com
Evita
"Marvelous. In fact, it was so good that when it finishes its extended run on September 2nd, producers should think about moving the whole show with its 15 or so performers to an off-Broadway house (or even a Broadway theater) where it could run for a long time.”
“What’s really key here is the staging done by the director Will Pomerantz. He has flawlessly put the scenes and musical numbers together. To be able to put together a show of this magnitude on a pint-sized stage is truly amazing.”
“If you are out here go see this show. It certainly is the best production the Bay Street producers have ever brought us."
– NPR
"Ambitious – and a little risky. That’s what I thought when I heard Bay Street Theater was bringing to its intimate stage the megahit Evita.”
“But director, Will Pomerantz, was ready with an out-of-the-box twist – one that gives the show a deeper resonance and emotional underpinning in telling the well known story….”
“The hard-working, tight cast of 14 are in constant motion with Marcos Santana’s tango-based choreography."
– Newsday
"You don't have to be a rocket scientist to know when you are with an audience really digging a show. The applause is more loudly enthusiastic than polite, the energy in the room is electric. What I just described was the feeling I had at Bay Street Theater while watching the official opening night of the musical revival of Evita.”
“The show is a wonderful, magical, musical experience. Perhaps the best musical production in the Hamptons ever.”
“This cast of actors not only does homage to the original Broadway show, which I actually saw, but in some ways surpasses it.”
“Go see the revival of Evita at the Bay Street Theater. This production is a must see! "
– Hamptons.com
"Broadway habitués summering in the Hamptons need not leave the beach. Evita is being staged with skillful inventiveness and quicksilver fluency at Bay Street Theater….”
“A high-caliber production....”
“There is so much to admire in Bay Street’s production… beautifully evokes the smoky romance of a sultry Buenos Aires tango bar…. "
– The East Hampton Star
“Although the rock opera is four decades old, Will Pomerantz, an immensely talented and innovative director performs his magic, and voila! – Bay Street's revival seems fresh and relevant.”
“Hauntingly mesmerizing… sensational staging, high-energy choreography, combined with a live orchestra and powerful vocals all add up to a musical megahit."
"A thought-provoking and intimate restaging of Hal Prince's original production.”
– The East Hampton Patch
"The thrilling revival of Evita, the classic biography of Eva Peron with music by Andrew Lloyd Webber, soars through the rafters at Bay Street with a luminous staging by Will Pomerantz…. He impeccably incorporates every element into a visually lush evening that scores emotionally as well as musically.”
“A dance-filled, visionary new production…. "
– TheaterLife.com
"The show had so much fizz and spritz, it was as if director Will Pomerantz opened a magnum of Dom Pérignon and an effulgence of exuberance popped out and sprinkled on every seat in the house. It’s that fabulous.”
“Incredibly polished, with electric excitement ricocheting off the walls.”
“With stunning single set of a seedy tango bar, chainsaw-quick costume changes with spectacular costuming… this is one helluva show, not to be missed."
– 27East.com
"Bay Street Theater’s Evita is a triumphant success. The show’s opening night performance received booming applause and a standing ovation for this beautiful rendition of a cherished classic."
“Whether you’re a long-time fan or are just learning about this musical now, this is an adaption that’s not to be missed.”
“Director Will Pomerantz and Choreographer Marcos Santana masterfully infused every nook of the stage with life….”
“Seeing this complicated history told in such fun and clever ways keeps the audience entirely enthralled from start to finish."
– Danspapers
"A thrilling production of the Tony-winning musical, Evita, under the clever direction of Will Pomerantz....”
“I know it may seem that productions of this show are a dime-a-dozen… but this particular production should not be missed.”
“Bay Street has has a hit with their superb vision of Evita… a delightful night of theater."
– BroadwayWorld.com
THE LAST NIGHT OF BALLYHOO
"Astonishing stagecraft… dazzling… underscores the play’s themes of acceptance and change.”
“Enhanced by Will Pomerantz’s vivid direction and a sterling cast.”
“Engaging… funny… insightful… mesmerizing."
– Aileen Jacobson, The New York Times
"The funniest and most flawlessly acted drama to hit The Hamptons this year.”
“A superior ensemble under the direction of Will Pomerantz.”
“Broadway-level quality… best production.”
“Run, don’t walk to Bay Street Theater’s LAST NIGHT OF BALLYHOO. "
– Kurt Wenzel, The East Hampton Star
"Under the superb direction of Will Pomerantz, Bay Street's Associate Artistic Director… outstanding… enthralling.”
“The immersive experience of a beautifully intimate venue, a stellar cast, and a clever story make this a thrilling night of theatre.”
“Mr. Pomerantz's creative team is absolutely top-notch as well. Alexander Dodge’s excellent set is enhanced beautifully by Mike Billing's stunning lighting and Lindsay Davis' divine costumes.”
“Bay Street Theater’s dazzling 25th season continues with a wonderful production of Alfred Uhry’s The Last Night Of Ballyhoo… indeed another hit for Bay Street Theater. "
– Melissa Giordano, Broadway World
"As directed by Bay Street Associate Artistic Director Will Pomerantz, an expertly cast ensemble raises Uhry’s social commentary to an absorbing reflection of human frivolity, frailty and fortitude approaching Tennessee Williams territory with a relevance that feels current.”
“Ballyhoo bears witness to the power of getting to know the ‘other’… that it is possible to learn the language of intra- as well as interfaith coexistence. Naive? Perhaps. Or not. "
– Steven Parks, New York Newsday
"The incredible set, the sounds, the lights… combined with expert staging, great acting, a well-crafted script, authentic costuming by Lindsay W. Davis, and some top-notch directing by Will Pomerantz….”
“It all adds up to a Broadway equivalent production right here in scenic Sag Harbor.”
“A finely-tuned ensemble…."
– Cindi Sansone-Braff, The East Hampton Patch
"Will Pomerantz directed a first-rate cast, including a superb Ellen Harvey, a wonderfully daft Dori Legg, and Erin Neufer (who) brings Lala to life effortlessly as a skinny flibbertigibbet, yet always sympathetic… a discerning rumination on the subject of bias….”
“Designer Alexander Dodge’s set is smashing… with a surprise second set that I’ll let playgoers discover themselves. It’s quite a feat… the most ambitious I’ve seen at Bay Street.“
“It’s not right to call it a comedy—it’s more thoughtful than that—but there is plenty of humor to make the social commentary go down without causing a burn.”
“A swell night of perceptive and witty theater. "
– Lorraine Dusky, 27East.com
"This appealing production, directed by Will Pomerantz, brings with it lots of laugh-out-loud moments mixed with just the right sprinkling of message to keep it breezy yet impactful.”
“Told with a light and humorous touch it makes for an entertaining evening of theater as well… resonates regardless of religion, race, creed or color.“
“Well cast and quite enjoyable… each actor brings something imminently enjoyable the Bay Street stage in this pleasing production. "
– Dawn Watson, SagHarborOnline.com
"The wonder of Ballyhoo is how fresh it feels.”
“Directed with a playful touch by Will Pomerantz, the production of Ballyhoo is as charming as its characters….”
“Powerful and very satisfying…. "
– Lee Meyer, Dan’s Papers
"Will Pomerantz moves around the play's characters magically across a top Broadway-quality set."
“Riveting, polished theater with laughs by the minute.”
“The playwright manages to deal with serious issues with cunning wit and delicate sensitive moments that touched…. "
– T.J. Clement, Hamptons.com
FOR THE LAST TIME
"All the makings of a period classic like Porgy and Bess.”
“ Superb cast.”
“This should not be the last time (for) FOR THE LAST TIME.”
– Routes, A Guide to African-American Culture
"An A+ Jazz Musical.”
“From its opening… to its closing number, the captivating musical FOR THE LAST TIME shows African Americans as we really know them….”
“Infectious music… overriding joy and liveliness."
– New York's Beacon
"Impressive…. excellent… standout vocalists.”
“Nancy Harrow’s catchy music… terrific eight-piece band…."
– The New York Times
"Every now and then there are gems you find Off-Broadway that could easily stand side by side with Broadway productions. FOR THE LAST TIME falls into that category.”
“A stellar cast, original songs, an eight-piece band and carefree choreography… superb.”
“Hot and steamy… the temperature rises…."
– FROM ELJNYC.COM (Electronic Link Journey – Off Broadway)
"Director Will Pomerantz did an incredible job putting together this production that encompassed love, passion, overcoming and facing your demons. The pacing of the show kept the audience engaged and in wonderment of what would happen next.”
“The richness of the text along with the extremely talented ensemble of performers make for a wonderful evening of theatre. “
“A rich fabric of love and tragedy, art, passion, and loss….“
"A production worth seeing… a wonderful evening of theater. "
– NY Theatre Guide
“Inspired… inventive.”
“Haunting beats (that) keep the mystique of the city….”
“A jubilant celebration…."
– CurtainUp
"For the Last Time is an ambitious musical that entertains in an affecting way.”
“Beautifully layered performances of the universally strong cast.”
“Intricate songs sound closer to what one would hear at a jazz club than a Broadway musical… this jazz influence is a welcome complement to the story.”
“Navigates its complex subject matter in an engaging way."
“(A) wonderful production...."
– StageBuddy.com
"Inspired by Hawthorne’s The Marble Faun, (FOR THE LAST TIME) uses black characters to represent tropes in fresh ways; new characters for an old canon….”
“Harrow’s brilliant ability to place jazz into a classical structure is inspired.”
“Truly is a new show… a pleasurable evening on the bayou. "
– Theatre Is Easy
THE BLUE FLOWER
(A.R.T. , Boston )
"Will Pomerantz... fills the stage with an energy and a sense of invention that always keeps the show alive."
"It's fresh, it's inventive, and best of all, it will move you... mesmerizing"
"... a must-see event, particularly for anyone who believes the American musical is in need of a major overhaul."
"Blue Flower blossoms into one of the best shows of the year."
"What a wonderful gift the American Repertory Theatre has given... now, in this holiday season... go unwrap it."
– Alexander Stevens, The Cambridge Chronicle
"Directed by Will Pomerantz, THE BLUE FLOWER consistently generates kinetic energy... a skillful blend of stage movement and video projections."
"This flower is abloom with arresting imagery; its overall visual texture ensures that it is never less than watchable."
– Dan Aucoin, The Boston Globe
"Haunting music, gorgeous visuals, and elegant direction."
"A labor of love...."
– Jenna Sherer, The Boston Herald
"Will Pomerantz's direction races along with antic and inventive dispatch....he makes sure that the powerful visuals accent rather than overwhelm the performers."
– Bill Marx, Culture of New England
"Fuck it. I'll just say it. This is one of the best musicals I have ever seen. And for those of you who cringed at the word musical, let me assure you, THE BLUE FLOWER is not a conventional one."
"Director Will Pomerantz and crew make The Blue Flower immersive and engaging....there was magic to it."
"The storytelling is organic, moving seamlessly from past to present, from song to scene."
"See it for the beautiful music, the performances, for the history for the art. Just go see this goddamn show."
– Jonathan Clark, The Boston Dig
"As much as I enjoyed my European Modernism art history class, I never thought I'd be able to see it come to like onstage."
"At once poignant and hilarious..."
"... a musical meditation that effortlessly oscillates between worlds, time periods and genres..."
– Minji Kim, Harvard Arts Beat
THE BLUE FLOWER
(2nd Stage Theatre, NYC )
"A lovely, sorrowful, dreamlike experience awaits you...."
"An adventurous, one-of-a-kind and perhaps unforgettable affair..."
"The whole complicated production is well assembled by director Will Pomerantz."
"The show never stops moving... close to astonishing..."
"... a musical theatre piece as rare and provocative as a blue flower."
– Steven Suskin, Variety
"Pomerantz whips the whole into a fine, heady froth."
"... an ensemble of superb singer-actors set a swirl by director Will Pomerantz."
"Wholly captivating... heartbreaking"
"Lush and transporting... and profound..."
– Sandy McDonald, Theatremania
"Director Will Pomerantz orchestrates the many elements into a spellbinding whole and elicits powerful performances from his four leads...."
"Exotic and playful....this 'Flower' blooms with a haunting beauty."
"Strangely captivating.... as if Hans Richter made a musical."
"... impressively detailed psychological portraits without the aid of naturalistic writing... much is communicated in looks and gestures...."
"... if you are up for an adventure, this exhilarating show more than fills the bill."
– Eric Haagensen, Backstage
THE BLUE FLOWER
(Prospect Theatre Company, NYC)
"Will Pomerantz directs with skill and balls to the wall commitment, creating several moments in which I found myself gaping, murmuring, 'I didn't know you could do that onstage!'"
"This is not baby stuff, this is theatre with a capital "T"; it strides upon the stage with fortitude, fresh and full, new and different, as smart as it is beautiful."
"It is rare to see a production that fearlessly aims for such a complete artistic and theatrical excellence as The Blue Flower.... It is even more rare to see a production that achieves said aims."
"What is miraculous about the production of The Blue Flower is that it not only achieves the show's complex and intricate vision, but transcends it, providing a theatrical experience that is as delightful as it is moving."
"This is big, fat theatre – brave, strong, unexpected and exhilarating."
– Julia Jones, Off Off Online
"The Blue Flower is daring, ambitious...brimming with the kind of feeling and inventiveness that musicals can never have enough of.... Pomerantz masterfully brings everything together so that no seams show."
– Matthew Murray, Talkin' Broadway
THE CRUCIBLE
“A sleek, searing new production.”
“A production that, to a person, seems almost flawlessly performed."
“Mr. Palllister and Mr. Conlon fill the stage with an electrical charge as darkness and light go at one another.”
“Mr. Conlon is scarily good.”
“Mr. Pallister... fills the role of Proctor with strength and dignity.”
“The director, Will Pomerantz, has done an astonishing job…”
“A swiftness and ferocity in its pacing…letting the inexorable momentum build to its climax.”
– The East Hampton Star
“Powerful…remarkable….superbly directed.”
“Riveting…excellent…another hit for Bay Street Theater.”
“Raises the bar…a thrilling and intense Crucible.”
“A stellar, brilliant ensemble cast…a thrilling night of theater.”
– BroadwayWorld
“An outstanding show…”
“Director Will Pomerantz…is like a chess master at the very top of his game.”
“Totally gripping….shocks, thrills and delivers pure, intense theater.”
“Kudos to Will Pomerantz for (this) gift…”
– Hamptons.com
“Powerful…chilling…”
“Capably and concisely directed by Will Pomerantz…”
“Moving portrayals…”
“The staging highlights and heightens the tension…”
– 27East
“Concise…engaging…shines in its dark complexity…”
“Mesmerizing…impactful…a goldmine…”
– Dan’s Papers
THREE SISTERS
“I don’t know how much rehearsal time they had, but if it was a year and a half, I’d believe it.”
“Really quite amazing … the stage pictures are glorious.”
“Crystal clear … a tremendous job of directing by and staging by Will Pomerantz.”
“Dazzling … A very, very, very, very effective staging … a terrific ‘Three Sisters.’”
– Peter Filichia, Broadway Radio
“An extremely rich story, extremely well told. … Such a great show. … Will Pomerantz has done a splendid job adapting and directing with sensitivity and excitement.”
— Mark Savitt & Eva Heinemann, Hi Drama
“Will Pomerantz’s staging is refreshing … (and) an ideal opportunity for an intimate engagement with the play.”
“Will Pomerantz’s staging in period costume is unpretentious and refreshing.”
– Isaac Sligh, The New Criterion
“Astonishing new adaptations of two Russian classics … a tour-de -force.”
“Will Pomerantz put his superhuman skills to good use when he took on the herculean task of adapting and directing two plays in rotating repertory theatre tradition.”
“I will never forget this smart, new adaptation of Chekhov's Three Sisters…”
“Under Mr. Pomerantz’s astute direction … the stellar cast brought heart, soul, intelligence, and boundless energy to their roles.”
“An excellent adaptation, brilliant directing, sensational acting, and live music make this a must-see production.”
– Cindi Sansone-Braff, The Patch
“A clever, intimate production … I was moved and impressed.
– Michelle Willens, Robin Hood Radio
“If you’re a fan of classic Russian literature, there’s a treat waiting for you at The Sheen Center … so engaging.”
“Pomerantz has fulfilled all the comic potential of Three Sisters (and Chekhov did believe he was writing comedies) …”
“By the end, we are laughing though our tears, or perhaps crying through our laughter.”
– Paulanne Simmons, TheaterLife
“Will Pomerantz’s production of Three Sisters features a true ensemble, making it appear that these people have lived together for years.”
“His new adaptation in contemporary idiom is easy on the ears and easy to comprehend … (it’s) lively and light, lucid, straightforward and accessible.”
“The pacing of the production is always on the move, which is saying a good deal when it comes to the Three Sisters, which is often performed in a glacial style, to mirror the character’s boredom and disappointment…”
– Victor Gluck, Theater Scene
“A fine intime Off-Bway dramatization. Will Pomerantz’s staging of Anton Chekhov’s ‘The Three Sisters’ may be small in size, but the conception and production work grandly.”
“If you haven’t seen ‘The Three Sisters’ before, or even if you have, this version is worth a visit.”
– Lucy Komisar, The Komisar Scoop
“Astonishing new adaptations of two Russian classics … a tour-de -force.”
“Will Pomerantz put his superhuman skills to good use when he took on the herculean task of adapting and directing two plays in rotating repertory theatre tradition.”
“I will never forget this smart, new adaptation of Chekhov's Three Sisters…”
“Under Mr. Pomerantz’s astute direction … the stellar cast brought heart, soul, intelligence, and boundless energy to their roles.”
“An excellent adaptation, brilliant directing, sensational acting, and live music make this a must-see production.”
– Cindi Sansone-Braff, The Patch
GREAT EXPECTATIONS
"Will Pomerantz's production grabs hold at the word 'go'.... delights and amazes in its entirety."
"Bash Doran's adaptation is truly brought to life by Pomerantz's unique vision and the versatile cast."
"Thrilling... dynamic..."
"My hopes for this show were great, and my expectations were well met indeed."
– Betsey Winchester, CurtainUp
"Excellent adaptation... top notch..."
"Delightful... a charismatic Kathleen Chalfant..."
"Beautifully drawn portrait..."
"Perfectly expresses the unfolding excitement... convey's Dicken's vision..."
– Nancy Allen Shore, Backstage
"Director Will Pomerantz's fluid staging..."
"the story... surges to life through the efforts of its able director and actors."
– Michael Sommers, The Star Ledger
"Dramatically ambitious..."
"the production works well... a versatile, seven-member cast..."
"Anguished, ghostly..."
"Chalfant's Havisham... a broken soul trapped in decrepitude and memory..."
– Raven Snook, TimeOut/NY
"Nimbly directed by Will Pomerantz... delicious..."
"Highly appealing... completely enjoyable..."
– David Finkle, Theatremania
HARD HEART
"Barker's play takes dead aim at political excesses... and with Will Pomerantz's crackerjack cast to point the finger, the indictment lands with startling force."
– Sam Thielman, Variety
"Electrifies.... Will Pomerantz's sure-handed production plays out in an ingenious set.... a sense of doom hovers, though there's an excitement too – the sort generated by intelligent political theatre."
– Andy Propst, The Village Voice
"Superb work.... keeps our brains churning past the final curtain."
– Helen Shaw, TimeOut/NY
"Nicely staged.... the hunkered down feeling of a siege and the rubble of a devastated city... the questions (of the play) may be more crucial than ever."
– Caryn James, The New York Times
"Director Will Pomerantz's intense staging effectively employs effects to convey a suitably apocalyptic atmosphere."
"Played flawlessly.... provides the audience with a rare and harrowing glimpse into the worst-case scenario of unchallenged power... unique, nuanced and complex..."
– Justin Hudnall, The Huffington Post
"A HARD HEART finds the harsh but supple direction it needs in Will Pomerantz, who is filled with clever surprises... Pomerantz never misses a chance.... Barker is not an easy playwright to perform.... all the actors nail the intricacies of the text with poise, grace, flair and wit...."
"There are plays, and there are plays, and this magnificently perceptive look at what protecting the hearts (of our nation and ourselves) takes –that's a real play.... remarkable."
– Arron Riccio, Show Business Weekly
"Epic Theatre Company's excellent production of Barker's masterful play.... all the actors work wonders with Barker's difficult Catastrophism... the outcome is one of those rare moments of synergy on stage...."
"The final flourish is Will Pomerantz's direction, which constantly finds ways to merge the steely exterior with the fleshy interior... list of things that are simply right about this play go on and on....
– David Bell, Show Showdown
"Brilliant... excellent cast.... the production (is) impressive and elegant..."
"Chalfant and company do Barker's Hard Heart a fine turn here."
"Eludes the label of agit-prop.... instead of calling for revolution in the streets it calls for a revolution in the mind, the spirit, the emotions... a profounder revolution of the body politic, in all the implications of that term.... should draw considerable discussion and attention..."
– George Hunka, Georgehunka.com
MAHIDA'S EXTRA KEY TO HEAVEN
"Playwright Davis never loses sight of his characters' needs, and neither does the excellent cast or masterful director Will Pomerantz."
"... stands out as one of the most sensitive and troubling post 9/11 dramas I've seen."
– David Cote, TimeOut/NY
"Finely tuned performances and nuanced direction from Will Pomerantz."
"Pomerantz and designer Mimi Lien choreograph a series of fascinating transitions as the house is assembled and disassembled while the actors look on."
– Sam Thielman, Variety
"A seamless staging by Will Pomerantz."
"... an explosive clash of cultures..."
– Jason Zinoman, The New York Times
"Will Pomerantz succeeds beautifully in creating and sustaining moods in this staging..."
"Compellling in its awkward sweetness and seething dread."
– Joe Dziemanowicz, The Daily News
"An evocative and provocative experience awaits the viewer..."
"Moving from exterior to interior, set designer Mimi Lien and director Will Pomerantz devise a unique and intriguing way in... earning a round of applause from the audience."
"Unexpected and fierce... Pomerantz has gotten excellent performances from his cast."
– Diana Barth, The Epoch Times
"This is powerful stuff."
"Luckily, Pomerantz asks the actors to play the play, not the symbolism, and it works."
"... several coups d'theatre..."
– Leonard Jacobs, Backstage
NYMPH ERRANT
"Chimes with the unmistakable wit of Porter at his smartest and gayest – in the original meaning of that word."
"... naughty insouciance and knockabout charm..."
"By all means check out Nymph Errant."
– Charles Isherwood, The New York Times
"Extremely entertaining... skips and sings along with great finesse directed by Will Pomerantz, who has made some excellent and amusing choices..."
"Where else will you find... a stage with steamer trunks and suitcases populated with ingenious props with spiffy direction of a 1933 written by none other than Cole Porter?"
"For all Cole Porter fanatics this is probably on the top of their must see list."
– Oscar E. Moore, From the Back of the Mezzanine
"Staging the show swiftly and confidently, director-choreographer Will Pomerantz makes sure comical matters never descend into camp. This bijou realization of a jumbo-scaled musical is a canny way to bring the zany Nymph Errant to life."
"Porter's rarely done 1933 musical arrives in a trim package..."
"Enjoyable... an inventive revival arrives."
– Michael Sommers, New Jersey Newsroom
"Director-choreograhpher Will Pomerantz deserves commendation for inventiveness and wit..."
"Cole Porter's musical 'Nymph Errant' comprises one of his very best scores. That it has never made it to Broadway is incomprehensible.
– John Simon, Westchester Chronicle
"The staging by Will Pomerantz is perfect..."
"Often hilarious and so well presented that it comes across as charming rather than dated.... a rousing array of musical dance numbers move the ingénue from one unlikely scenario to the next..."
"An entertaining look at one woman's quest for independence and liberation..."
"To a one the actors are terrific... engaging romp."
– Eleanor J. Bader, Theatre is Easy
"The production, directed by Will Pomeranz, gives us an appreciation for what a great score Porter wrote."
"With a cast brimming with talent, Pomerantz has staged the production deftly..."
"I very much looked forward to seeing NYMPH ERRANT... and wasn't the least bit disappointed."
– John Clum, Theatre Reviews
"Screwball comedy is an art -- and it reached its apex in Cole Porter's 1933 Nymph Errant."
"A frothy mix of racy innuendo... and exotic adventure, now at the Clurman Theater."
"Nicely directed... a lark."
– Fern Siegel, The Huffington Post
"Breathtakingly charming and inventive..."
"Will Pomerantz keeps things moving, even through the transitions, which were always well staged..."
"Long before Carrie Bradshaw made a career of her romantic capers, there was Eve, the wry, self-aware heroine of Nymph Errant."
"As far as experiments in revivifying old musicals goes, this one was well worth it."
– New York Theatre Review
OF THEE I SING
(Bard SummerScape)
"Director Will Pomerantz has given the winning show a taut, thrilling production that is both historical and relevant...."
"The only disappointing thing about this revival is the brevity of the run."
"... transports you to the Great White Way of the Depression era."
"Bravo to Bard for bringing Of The I Sing to us (and shame on them for not booking a longer run.)"
"If friends call you and offer you their extra tickets to Of Thee I Sing, which has been sold out for weeks, say, "Yes!"
– Dan Shaw, Hudson Valley Arts
"Far from average summer fare, with a great deal of care and expense going into the inventive production..."
"Pomerantz's snappy, period appropriate choreography and thoughtful directorial touches... is definitely something to sing about."
"Will Pomerantz's highly enjoyable production..."
"... as silly as the show can be, it's also remarkably smart... you will laugh repeatedly... deft political satire."
– Brian Scott Lipton, Theatremania
PRATER VIOLET
(Culture Project, NYC)
"Few novels of late have made the transition to the stage as gracefully as Prater Violet."
"The director, Will Pomerantz, also adapted the book.... the result is an evening of theatre with bags of English charm."
"Mr. Pomerantz has a way with the period."
"... the director puts a minimum of resources to maximum advantage; the film studio is brought to life..."
– Peter Marks, The New York Times
"The best book ever written about the movies..."
"It would not have seemed possible for that stunning, subtle work to have been turned into anything for the stage, but Will Pomerantz has done it... in a production that's been brought back by poplular demand."
"... with never a slip in the scene-shifting, costume-changing, lucid, fluid action."
"Ranks with Wit as the best stuff now on any stage in New York."
– Jerry Talmer, New York Theatre Wire
"Thoughtfully adapted for the stage by Will Pomerantz, who also directs..."
"A lot of the production's energy is derived from Pomerantz's clever staging of the many scenes..."
"A definite must-see for connoisseurs of Isherwood's fiction."
– Michael Sommers, The Star-Ledger
"A compelling adaptation, conceived and directed by Will Pomerantz."
– The Village Voice
"... this production is quite moving, especially in Dylan Green's performance as the director."
– The Wall Street Journal
"Unexpected treasure Off-Broadway..."
"... like finding a precious watch in the street.... deserves a banner waving above some full off Broadway house."
"With the same skill he displayed in his recent Social Note: An Evening with Dorothy Parker staged at the Algonquin Hotel, Will Pomerantz has adapted and staged Prater Violet in two taut acts."
"Succinctly entertaining with depth of feeling, scene after scene lose none of the documentary truth of the Hitler era."
"Bravo, all hands."
– Marjorie Gunner, Tribune News
"Perhaps one of the most striking autobiographical productions I have ever encountered is now playing Off-Broadway..."
"Will Pomerantz's wonderful adaptation and direction clearly show off a formidable talent. There is an amazing clarity to the events of the novel as staged..."
"... the personal and the political within Isherwood's relationship with the director is masterfully plumbed."
"The piece moves seamlessly from the slapstick comedy of the movie in progress to the sobering political situation in Europe...."
"A very worthwile production, indeed."
– Joyce Hauser, Arts & Leisure News Service
THE SHAPE OF THINGS
"I think I've now seen the best stage production of the year..."
"I won't hold my breath that anything will emerge with more stunning theatrical force than the Studio Theatre's flawless mounting of The Shape of Things."
"The actors, guided so ably by director Will Pomerantz... create remarkably natural, personable characters... outstanding..."
"Another year, another hundred shows scrutinized... winnowing it down to the top ten best productions isn't the easiest thing to do for such a banner year... number one: The Shape of Things (The Studio Theatre, directed by Will Pomerantz)."
– Jonathan Padget, Metro Weekly
"The play receives such stylish, astute handling by director Will Pomerantz and his sparkling cast... cannily and handsomely staged."
"Definitive... a superior production..."
"Across the board, the acting is exemplary."
– Peter Marks, The Washington Post
"Direction by Will Pomerantz that keeps things moving at a dazzling clip but still leaves time for the truths to sink in."
"Another winner for Studio Theatre... a cruel wonder... beautifully made play of ideas brought home through four wonderfully deep, searching performances..."
– Jayne M. Blanchard, The Washington Times
"A dynamic young cast acts the hell out of it... makes us see things in Shape that are barely there.... Director Will Pomerantz weaves them all skillfully..."
– Washington City Paper
"A harsh, funny play now being given a first-class production at The Studio Theatre. The writing is sharp and the performances are even sharper."
"There haven't been two better performances this season..."
– Gary Tischler, The Georgetowner
"This is one of the most unusual and surprising plays in recent memory."
"Director Will Pomerantz keeps the action moving crisply, even while ratcheting up the tension. A pretty neat accomplishment since many of the scenes are short, with many set changes throughout. Changes to the set are beautifully choreographed and done in full view."
"An edgy, nasty, very original and provocative script supported by a fascinating and outstanding production."
– Faiga Levine, Channel 21
A TALE OF TWO CITIES
"A towering challenge that Will Pomerantz and his troupe undertake... conceived with obvious affection for Dickens' narrative breadth..."
"Will Pomerantz's ear for dialog that lifts off the page is a discerning one."
"Conceived with obvious affection for Dickens' narrative breadth... grand Dickensian characters."
– Peter Marks, The New York Time
"It's about time that someone picked up the gauntlet thrown down by the RSC and their legendary production of Nicholas Nickleby, and thank god it was Will Pomerantz and Culture Project... with their five-hour, two part production of Dickens's Tale, they not only picked up that gauntlet, they hoisted it over their heads with ease, grace and humility..."
"As adapted and directed by Will Pomerantz, this Tale is intensely personal... shining a bold, clear light into the dusty corners of Dickens's classic."
"With exquisitely detailed touches throughout, the gorgeous production created and sustained an atmosphere of 18th century France and England in a way that was visceral and real, each successive coup de theatre stunning in its sheer creativity..."
"Pulsating with vibrant life, A Tale of Two Cities defies categorization, becoming a piece of pure theatre that enchants and excites..."
"For the privileged few lucky enough to experience the thrilling joy of this production, the memories will resonate long after the final, chilling fall of the guillotine blade."
– Doug DeVita, The Off-Off Broadway Review
"Adaptor-director will Pomerantz faithfully recreates the sprawl of Dickens's novel with a cast of 20 in a vast theatre space..."
– The Village Voice
THE TAMING OF THE SHREW
(Cornell University Performing Arts Center, Ithaca, NY)
"Will Pomerantz, director and choreographer, has played robustly and irreverently with a Shakespearean text, devising a delightfully inventive production of The Taming of the Shrew."
"While adhering closely to the essentials, Pomerantz makes the potentially misogynist play speak to and for feminism today..."
"Pomerantz bowls a strke at the finale – a final gesture that must be seen – as must this inventive rendering of Shrew."
– Caissa Wilmer, The Ithaca Times
"This ain't your mama's Shrew."
"Keep your eyes peeled, your ears open, and your funny bone tuned. You'll realize this is a Taming for any age."
– Daniel Fishcher, The Cornell Daily Sun
TATJIANA IN COLOR
"Directed with bravado by Will Pomerantz..."
"... expresses the racing pulses and perturbation..."
"Delicious tension... wonderful..."
– Bruce Weber, The New York Times
"Beautifully directed by Will Pomerantz..."
– Liesel Schlesinger, The New Yorker
"Directed with elegant precision by Will Pomerantz... an engrossing look at painting and innocence... rich, quirky dialogue... sensual and hilarious... excellent."
– David Cote, Time Out/NY
"Director Will Pomerantz, stages the play with a painterly eye for arresting imagery..."
"Pomerantz includes a couple of nifty interludes in which actors replicate the angular contortions seen in Schiele's odd, intriguing work."
– Gordon Cox, New York Newsday
"Adding to the tone and enhancing it, is Will Pomerantz's artful hand as director.... staged with an unerring hand..."
"... a delicious sequence in which we see Schiele's mistress striking a series of a Scheilesque poses against a brilliant orange wall, indelible image created by director and actor."
"... we feel as if we are voyeurs peering through the studio window, seeing things through Tatjana's young, impressionable eyes."
"With a strong cast and knockout design elements, Tatjiana in Color is an impressive achievement."
– Kessa De Santis, Arts Review
"Pomerantz's direction enhances Jordan's script immeasurably."
"One feels like a voyeur each time Tatjiana flees her oppressive life to go to Schiele.... one is almost as breathless as the young girl herself."
– Andy Propst, American Theatre Web
THIS SIDE OF PARADISE
"Scott and Zelda Fitzgerald, glittering emblems of the Jazz Age... are resurrected in THIS SIDE OF PARADISE."
"Accomplished... dazzling... excellent."
– Charles Isherwood, The New York Times
"Lingers in the mind... the perfect subject for a musical."
"Harrow and Pomerantz are serious enough about these characters to explore their depths... "
"Highs and lows, boom and bust... a thrilling rise and devastating crash."
– The New Yorker
"Pomerantz has done a fine job directing... a labor of love."
"It's remarkable to see a musical with such ambitious content... refreshing."
"Performances are excellent... top drawer."
– The Epoch Times
"The hedonistic, reckless, yet intriguing relationship between Zelda and Scott is wonderfully and tragically captured in this production."
"Rich and beautifully crafted... completely mesmerizing."
"Co-creators Harrow and Pomerantz have struck musical gold."
– FAME New York Magazine
"A glimpse of the tragic weight of genius, the heartbreak of reaching the top early in life and having no other place to go but down... "
"Lovely... sophisticated... luminous."
– City Scoops
THE WILD DUCK
(The Century Center, NYC)
"... in Will Pomerantz's gripping production, audiences will be shaken by The Wild Duck."
"... no big directorial ideas get in the way, but that's not to say Pomerantz's work is routine. His moment to moment staging is consistently nuanced and highly dramatic, maintaining a crisp pace for three entertaining hours."
"The acting here is passionate, subtle and highly watchable."
"Tremendously moving..."
– Jason Zinoman, TimeOut/NY
"Director Will Pomerantz... has once again taken a classic warhorse and returned with a fresh, compelling evening of simple, intelligent creativity."
"Pomerantz and company have given this sprawling work an intimacy that is astonishing."
"This production of The Wild Duck is remarkable by any standard, an enthralling evening for anyone interested in theatre that egages, questions, and provokes both passion and tears..."
– Doug DeVita, The Off-Off-Broadway Review
"The Century Center ballroom is exceptionally well used by director, Will Pomerantz."
"His production is impeccable in every way."
"A first-class production of one of Ibsen's best plays."
– Dan Callahan, Show Business
WOMAN AT A THRESHOLD, BECKONING
(EST Marathon)
"Will Pomerantz has directed Guare's work so that it seems to cinematically leap across the stage. The six-member cast shines throughout.... a testament to fresh exploration."
– Andy Propst, American Theatre Wing
"The evocative direction by Will Pomerantz makes the most of an ambitious endeavor that moves from a Manhattan grand jury room to ground zero to the streets of Cairo."
"An intriguing cornucopia of creativity."
– Lawrence Van Gelder, The New York Times
"Enigmatic and rewarding... moving and thought-provoking... due in no small part to Mr. Pomerantz's direction and staging..."
– Mimi Kramer, New York Press
"Fine theatre.... a deft mix of drama and humor... abstract direction by Will Pomerantz..."
– Matthew Murray, Talkin' Broadway
ETHEL SINGS
"Fast-moving and athletic in its theatricality….”
“Brechtian in its construct, simultaneously meant to instruct and entertain.”
“A story of powerful interests scapegoating an easy target to further their political goals."
– Zachary Stewart, Theatermania
"A wonderful piece of theatre. It is not afraid of embracing the theatrical, mixing the real and unreal, or of having a clear point of view on and opinion of the events and characters.”
“Will Pomerantz’s direction (is) filled with magic.”
“There is nothing quite like being pleasantly surprised by what a production manages to pull off, and Ethel Sings is full of pleasant surprises… affecting.”
“Interactions that shine with music, charm, love, and ultimately standing up for what one believes in, and paying the highest mortal price."
– Jamie Rosler, The Review Hub
"Finally gives Ethel and Julius Rosenberg the pathos they deserve, and teaches what can happen in a corrupt judicial system….”
“Anything but irrelevant or outdated….”
“Go see this unique piece of theater."
– Rebecca Kaplan, StageBuddy
"A highly stylized production."
– Elise Mareson, New York Theater Guide
"This production, hopefully, will bring attention to and serve as a warning to new generations of what happened during the Cold War when the FBI and the government were allowed to overreach their authority and when hysteria, hate and fear was the message of the day.”
“A haunting and a terrible part of America’s history…."
– Linda Amiel Burns , TheatrePizzaz.com
"Dramatic… inspired….”
“Ethel Sings highlights… the ways in which Rosenberg was a victim of misconduct by the United States government."
– Rodger Citron, Justia
"Highly theatricalized, even expressionistic presentation of the Rosenberg story.”
“Director Will Pomerantz pulls out many theatrical stops…. "
– Samuel Leighter , Theater’s Leighter Side